KAISER Idell Pendant 6722
KAISER Idell Pendant 6722
KAISER Idell Pendant 6722
KAISER Idell Pendant 6722

KAISER Idell Pendant 6722
Fritz Hansen

Regular price
$575

In stock

The renowned KAISER idell lamp is characterised by Christian Dell’s ability to create elegant design with basic geometric hallmarks of modernism: shapes like the sphere, circle and cylinder. Today, the KAISER idell is widely recognised as a symbol of noble Bauhaus design, exquisite choice of material, and precise engineering.

  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722
  • KAISER Idell Pendant 6722

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Width: 145 mm
Depth: 145 mm
Height: 155 mm
Diameter: 145 mm


Christian Dell was a German silversmith and designer. From 1922-25 he worked as a foreman of the metal workshop at the Bauhaus in Weimar where he was the man behind a highly innovative and pioneering style of design. The Bauhaus occupies a place of its own in the history of the 20th century culture; architecture, design, art and new media. As one of the first colleges of design, it brought together a number of the most outstanding contemporary architects and artists. Beginning in 1926 Dell sketched lights, often for the lamp factory Gebr. Kaiser & Co. The first catalogue was launched in 1936 in which the table lamp model 6631 Luxus appeared for the first time. This lamp soon became the undisputed top model of the KAISER idell™-serie – then, as well as today, the symbol of noble Germanic design, exquisite choice of materials and precise engineering. The term “idell” is a reference to the word idea and his lastname, Dell. “Kaiser” is a reference to the original manufacturer – KAISER idell.

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Hee Welling x HAY Designer talks. In conversation with Hee Welling

Hee Welling x HAY Designer talks. In conversation with Hee Welling

Hee Welling x HAY Designer talks. In conversation with Hee Welling

Hee Welling x HAY Designer talks. In conversation with Hee Welling

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